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r+d

Posts on innovation, user experience, research and design

Heinz's Ketchup Revolution

As proof that nothing should ever get too comfortable with its position in the world, the Heinz ketchup packet's 42 year run at the top of the fast food empire may soon be coming to an end. Heinz recently announced a new package design that brings several enhancements to the ketchup packet experience. While I had never really considered it before, looking at the rationale and the proposed redesign, it absolutely looks like a win.

One of the more interesting passages in the Christian Science Monitor article on the subject covers Heinz's R+D work:

Designers found that what worked at a table didn't work where many people use ketchup packets: in the car. So two years ago, Heinz bought a used minivan for the design team members so they could give their ideas a real road test.The team studied what each passenger needed. The driver wanted something that could sit on the armrest. Passengers wanted the choice of squeezing or dunking. Moms everywhere wanted a packet that held enough ketchup for the meal and didn't squirt onto clothes so easily.
First off, kudos to Heinz for committing to the a real-life ketchup lab for its designers. That aside, it's clear to see how this field research led directly to the new packet's benefits, which are as follows:
  • It's purported to be easier to open
  • It offers a dipping option to better enable ketchup consumption on the go, particularly for drivers
  • It holds three times as much ketchup as the old design so you don't have to open as many packages
  • It uses less packaging material than three packets
  • The new packet is recyclable
All of these characteristics seem to be hitting on all the right experience pain points the R+D team observed and are also reflected in my own rather extensive field experience with the subject matter. My particular field lab is the local Chick-fil-A. I'm sure you have your equivalent.

Moreover, the sustainable attributes are hitting on all the right marketing notes to improve adoption. Even with incremental increased cost to restaurants, many of the larger ones interests will likely be at last partially piqued by the packet's eco-benefits as further opportunities to demonstrate their commitment to greener initiatives and products. That is, of course, to the extent that a plastic is greener and more sustainable than something that can't be recycled.

While it's sad to see such a hallmark of the fast food experience on the ropes, all good things must one day end. And when you get right down to it, the packet was never all that great. It just just did what it was supposed to do. In the useful-usable-desirable hierarchy of products, it was squarely in the "useful" end of the scale, never really attempting to achieve more. To its credit, Heinz took that leap forward, in the midst of an epic downturn no less. But as a spokesperson for Heinz said: "We created the packet in 1968," he said. "Consumer complaints started around 1969."


I guess it was about time.

Interesting Trivia
: Heinz sells more than 11 billion ketchup packets every year.

     
Click here to download:
Heinzs_Ketchup_Revolution_tag_.zip (367 KB)

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Filed under  //   CX   design   eco   green   Heinz   ketchup   packaging   UCD   UX  
Posted February 8, 2010
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The Colour of the Inner Content

CDs are on the way out (or already long gone for me) as a form factor for music delivery, but one of the innocent bystanders in this shift to digital is album art. Sure you can still get album art and packaging as a digital image, but it's not the same, obviously. There's just something about the smell of the aromatic dyes of a nice glossy album cover that is very familiar and rewarding when you open up your new disc. Sigh. 

That said, CDs and their covers aren't dead yet. Hubero Kororo recently worked with the band Uceroz to come up with a very interesting CD package. Initially the packaging is white with only the black text on it, but when you open the package up, an ink packet is ruptured causing the ink to bleed out onto the white canvas of the CD, resulting in unique album art on each disc. That's how I would explain it, but I personally like Hubero's version. 

Hubero remarks:
The design of the cover also reflects [the  musical] motif. Like when you are listening to this piece of music for the first time being still untouched by the unique experience of Ivan Palacky´s peculiar performance, also the album cover makes you feel like that. After opening (tearing off the seal), the outer minimalistic graphic of the snow-white package is irretrievably disturbed by a stain, which turns to the colour of the inner content.

Irretrievably disturbed by a stain. Nice 

Some additional interesting info about the project and the band via Hubero's description:
  • Uceroz is a new music brand by Ivan Palacký, a musician playing an amplified knitting machine called Dopleta 160 (180). 
  • The title "Uceroz" is an abbreviation created from two Czech words : „učesán a rozcuchán“. It consists of two editions, where „učesán“ represents a smoother kind of musical expressiveness however „rozcuchán“ tends to be more experimental.
  • Depending on the technique of opening, (some extreme technics of opening have already been noticed, like using a drill in order to create a peculiar mark.) some patterns arise, which give each piece a certain uniqueness.
Here's the video of the opening:

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Filed under  //   art   design   music   packaging   visual  
Posted January 26, 2010
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Memorable Packaging: Samurai Vodka

Checking with Google, this has already made the rounds around the Internet but it's still new (and interesting) to me so I thought I'd post. Talk about memorable packaging. Shouldn't the top part be sliding the other way though? Down the slope? Anyway, it's still cool.  via core77 | dieline

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Filed under  //   design   packaging  
Posted January 13, 2010
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